I am honored to be sharing a conversation with one of my all-time favorite shopkeepers and entertaining gurus, Ted Kennedy Watson. I’ll never forget discovering his store in Seattle — walking inside felt like Christmas morning with its shelves of gleaming vintage silver, tins of packaged chocolates, boxes of perfumed soaps, and Livia Cetti’s vibrant paper flowers! I bought so many treasures that day and would fly to Seattle in a minute with the sole purpose of shopping there again. Ted’s beautiful eye and knack for curating treasures is a gift. It’s no wonder that his store has been named one of the best in the country by Architectural Digest. Retail aside, Ted has been writing a daily lifestyle blog for years and it is one of my favorite places to go on the internet. He has a palpable positivity and zest for life that’s contagious, and whenever I’m in a funk or need a boost, I make a beeline to his site where I find instant inspiration. His books on entertaining (namely Ted Kennedy Watson’s Guide to Stylish Entertaining) are also wonderful, with party tips, links to soulful playlists, and wisdom gleaned from a lifetime of experience breaking bread and making memories with loved ones. Without further ado, I hope you enjoy this conversation!

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I’ve always been drawn to nostalgic things. Hand-written notes sealed with wax, Venetian intaglios carved in glass, and 18th century botanical posters of flowers, berries, and trees… these are a few things that stir my soul and remind me of another time. A well-loved globe is another nostalgic treasure, particularly in our age of GPS and Google Maps. Interestingly, there are very few traditional globe makers still working today. Peter Bellerby and his team of painters, engravers, woodworkers, and cartographers at Bellerby & Co in London are one of the last remaining globe makers in the world to make globes by hand in the traditional style. Since the 1400s, globes were made by etching the map onto copper plates, gore by gore, and sending them through a printing press. (Gores are the surfboard shapes that cover the surface.) The fragile paper gores would then be taken, wetted, and stretched across the shape so they conjoined precisely so. This process takes the utmost care as the paper can easily rip, tear, or bubble. Bellerby uses modern printers but the rest of their process remains the same, unchanged over centuries. Every Bellerby globe is also hand painted using hand-mixed pigments, so no two are ever alike. Most interesting are the bespoke globes that Peter and his team make for clients all over the world, colored with special symbols and messages that tell the owner’s story. The company just released their first Moon Globe with the lunar landing sites along with a Silk Road Globe illustrated with spices, landmarks, animals, and people. I had the pleasure of working on two stories about this company, one for American Way (American Airlines in-flight magazine) and the other for The WSJ Magazine. This year Bellerby is collaborating with Mr. Porter on a line of Mini Desk Globes. While their bespoke globes have a lengthy wait list, these globes are ready to ship, each made with love and care. Below, you will find my interview with Peter Bellerby. I hope you enjoy his work as much as I do.

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A few years ago, I went on a magical mother-daughter trip to Paris. Together, we spent a week walking beneath the chestnut trees, feasting on French food, and time traveling in museums. One of the most memorable moments of the trip came on a weekend visit to the Paul Bert flea market. This market is a must-visit for its maze of galleries selling gilded antiques, sterling tableware, oil paintings, and vintage clothing, from Chanel to Yves Saint Laurent. That day, we stumbled upon the ivy-covered atelier of Sylvie Corbelin. Stepping through the doorway, we entered a tiny magenta jewel box filled with gold mermaid necklaces, bejeweled butterfly earrings, and diamond rats affixed to coiled rings. There, we befriended the beautiful lady behind this one-of-a-kind collection. In 2019, I returned to Paris and met Sylvie at her home in the Marais. She served tea and shortbread as I took in her whimsical home filled with assorted collections like Murano glass jars and Fornasetti umbrella stands. That afternoon, we visited about life, her line of work, and how she is designing on her own terms. Sylvie has an amazing eye and a strong point of view. Her work is heirloom quality and each design evokes something about the human experience, be it spirituality, protection, or nature. Everything is thoughtfully considered, including the backs and undersides of earrings, pendants, and rings, which are inlaid with jewels, inscribed with poetic passages, and etched with symbolism. What a gift to know such a talented soul and how lucky I feel to call her my friend. I hope you enjoy this Q&A with the one and only Sylvie Corbelin.

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Growing up, my idea of a fun afternoon meant staying in my bedroom surrounded by magazines. With scissors in hand, I’d cut out stories of people and places that spoke to me and tuck the clippings away into big accordion binders. Today, I still have these files filled with my early inspirations and I still get the same thrill from sitting down with a magazine. Knowing this, you can imagine my excitement when Yolanda Edwards, previously the Creative Director of Conde Nast Traveler, started a new travel quarterly called Yolo Journal.  Read on to learn about her passion project and more, such as her most over the top hotel experience and travel items she doesn’t leave home without.

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This year, I wrote a story for VIE Magazine on The Carlyle in New York City. Along the way, I stumbled upon Tug Rice, the talented illustrator behind the hotel’s 2019 calendar. I quickly fell for his nostalgic interpretations of classic Carlyle moments. Since our first Instagram correspondence, I’ve learned — much to my delight — that Tug and I are kindred spirits, sharing a love of Hotel Sacher, cafe culture, Poulenc… and Bemelmans Bar. The answers below are insightful and charming, comedic and fun. Ladies and gentlemen, this is Tug Rice.

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April Gargiulo, Founder of Vintner’s Daughter

In today’s saturated beauty market, false advertising has made it harder and harder to find genuine, quality products. As a beauty junkie myself, I’ve fallen pray countless times to brands who over promise and under deliver. In skincare, as in life, talk is cheap but when it comes to real quality, you know it when you see it. About two years ago, I began noticing some big changes in my skin. While I’ve always been fair complected, there was a sudden and palpable shift wrought with rosacea, hypersensitivity, and sporadic blemishes. To try and hide — and more importantly remedy — the aforementioned issues, I sampled a bunch of products hoping for the best. What I found at the end of the trial and error rainbow was quite literally a pot of skin-nourishing gold: The Active Botanical Serum by Vintner’s Daughter. It is so special, in fact, that I felt compelled to reach out to the founder, ask a bunch of questions, and share her story with you. I’ve only been using the serum for about a month now but it’s already become my favorite step in my beauty routine. There are so many things I love about this product, from its golden hue to its nourishing efficacy and its all-natural ingredient menu. The moment you apply it (with the recommended push/press method) you feel time turn back a bit. I’m also enamored with its lovely fragrance. Photographer Jamie Beck likened it to “twilight in the garden in June when the fireflies come out and play” – the perfect sensory description, in my opinion. I’ve also recently realized that Vintner’s Daughter combines two of my favorite things in life: wine and stories. Founder April Gargiulo is the daughter of a vintner (hence the name) and has used her detail-oriented, grape growing heritage and love of wine-making to create a product that is quality at its core. In essence, the serum is also a rich and well-crafted story made up of 22 characters, each rife with its own history. Take for example the the marigold flower, which has been coveted for centuries for its healing powers, or the rose oil sourced from a generations-old family farm in Bulgaria’s Valley of the Roses. Luckily, when you buy your own bottle, a little black book gives sweet insight into these character-rich ingredients, their history, and their skin-beautifying benefit. Read on to learn more about this special serum called Vintner’s Daughter (and the brand’s second product, the Active Treatment Essence just came out in 2019!)  Without further ado, let’s meet April Gargiulo!

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Those who know me best know that I favor dresses and skirts over tight jeans or any kind of pant for that matter. I’m always on the hunt for the next fun dress – and dress designer. Months back, I was delighted to stumble upon Turkish fashion designer, Gul Hurgel. I found her via two of my favorite street style ladies, Kate Foley and Pippa Vosper, both of whom I think have impeccable taste. I had an instant connection to her collection and knew I needed to save up in order to bring a dress or two home.

Gul’s dresses are made of lightweight linens and come in pretty patterns and refreshing colorways. I am drawn to their easy fit, whimsical details, and their classic, timeless silhouettes all of which evoke a sense of nostalgia. I splurged on two of her dresses this year and have gotten more use out of them than I thought possible, thanks in large part to the mild weather we get in San Antonio pretty much year round. Fresh off the release of her latest collection (think: lemons! strawberries! ruffles! flower prints!) I am honored to have chatted with this elegant young designer on her inspirations and artistic journey.

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